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xv.
The mail art of the '70s & the zine scene of the '80s were attempts to go beyond the mediation of art-as-commodity, & may be considered ancestors of Immediatism. However, they preserved the mediated structures of postal communication & xerography, & thus failed to overcome the isolation of the players, who remained quite literally out of touch. We wish to take the motives & discoveries of these earlier movements to their logical conclusion in an art which banishes all mediation & alienation, at least to the extent that the human condition allows.
xvi.
Moreover, Immediatism Is not condemned to powerlessness in the world, simply because it avoids the publicity of the marketplace. "Poetic Terrorism" & "Art Sabotage" are quite logical manifestations of Immediatism.
xvii.
Finally, we expect that the practice of Immediatism will release within us vast storehouses of forgotten power, which will not only transform our lives through the secret realization of unmediated play, but will also inescapably well up & burst out & permeate the other art we create, the more public & mediated art.